Description
"With the profusion of reproduction techniques, things become flatter. At any rate the vast majority of projections work
that way, since two-dimensional information is so much easier to handle than three-dimensional things. In practice,
projection has become thoroughly directional because of the availability of certain instruments and machines for
making pictures." Robin Evans, Architectural Projection
Course Description
Since Evans' essay published in 1989, drawing and rendering in architecture have become increasingly automated
through computer graphics procedures ? directional projection, clipping planes, photorealistic rendering. Questioning
the sufficiency of digitality, the seminar introduces and explores techniques of representation that shift established
hierarchies between geometric and stereometric, image and object. The course refers to contemporary painters Kerstin
Br?tsch, Albert Oehlen, and Garth Weiser, who are taking digital effects back into painting (i.e. key